![]() Jaensch took up the research, and between the first and second World Wars, work on eidetics emanated from the Marburg Institute of Psychology, popularly known as the Marburg school. Urbantschitsch in Germany found a repeatable form of imagery called “Anschauungsbilder” (the earlier German term for eidetic). ![]() ![]() It is exactly this image-the EIDETIC-on which Image Psychology is based. … Such a whole creation of reality cannot be completely attained by a thinker.” … This difference is especially prominent in the so-called eidetic imagery of children. The other group, the thinkers, pull it apart, kill it. The artists…comprehend reality as a whole, as continuity, a complete living reality, without divisions, without any separations. Between them there is a marked difference. No longer are its drama, adventure, engagement, and transformational possibilities accessible to us only through the work of someone who presents the intuited image such as Shakespeare, Wordsworth, Rembrandt, Magritte, Steiglitz, Rodin, and Coppola.īut interestingly, it was the scientist Pavlov, from whose work behaviorism developed, who pointed this out so succinctly in his book, Conditioned Reflexes and Psychiatry, when he wrote that there are “two categories of people-artists and thinkers. Recently, Image Psychology has encouraged literary and social criticism based on analysis of the image in such related fields as sociology and the creative arts. Image Psychology has profound appeal to many fields outside of therapeutics because the Image itself holds great fascination for many branches of knowledge. In addition, it draws on the most recent neuropsychological evidence involving two-process theory and holographic images in the brain and the discovery of fractals in computer science to explain the fast moving and amazing results effected by imagery in terms of “hard science.” Its solidly grounded theory accounts for both Eastern and Western traditions of science and philosophy and is derived from a thoroughly lived knowledge of its extensions in literature, myth, religion, and art as well. Entering the image arena with full awareness of the principles through which imagery operates, we are able to play with their infinite possibilities and create change along the lines we want or desire.īut Image Psychology is more than just a method. As the images are studied and reveal what they do at various levels, it becomes clear how different images affect the emotions and the physiology differently and why. It discovers imagery blueprints in the psyche, locates them at their source, and traces their tributaries. Image Psychology, as propounded by Ahsen, represents an experiential system of complex mental structures and dynamic image formations that demonstrate various functions and operations of the mind and body. The thrust of the imagery movement, which follows Ahsen’s lead, is that the Image is most central to human activity and expression, much as behaviorists believe that behavior is central. ![]() His body of work, which has come to be known as IMAGE PSYCHOLOGY, draws its inspiration solely from the Image. Since 1965 when his first book appeared, Akhter Ahsen has authored or edited some forty books on imagery.
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